{"id":14592,"date":"2018-12-09T22:20:59","date_gmt":"2018-12-09T22:20:59","guid":{"rendered":"https:\/\/www.pinballnews.com\/site\/?p=14592"},"modified":"2018-12-09T22:32:52","modified_gmt":"2018-12-09T22:32:52","slug":"tokyo-perfect-drift","status":"publish","type":"post","link":"https:\/\/www.pinballnews.com\/site\/2018\/12\/09\/tokyo-perfect-drift\/","title":{"rendered":"TOKYO PERFECT DRIFT"},"content":{"rendered":"

A new pinball from Spanish producers Quetzal Pinball<\/a> and STR Pinball<\/a> has been previewed at the Arcade Museum in Petrer in Spain.\u00a0 It is a single-level, four-flipper game, with five balls and a fast and furious style of gameplay, a custom electronics boardset and full RGB lighting.<\/p>\n

\"The<\/a>
The right-side view of Tokyo Perfect Drift<\/figcaption><\/figure>\n
\"The<\/a>
The left side of the game<\/figcaption><\/figure>\n
\"The<\/a>
The top view of TPD<\/figcaption><\/figure>\n

Tokyo Perfect Drift<\/em> is a collaboration between Antonio Ortu\u00f1o from Quetzal Pinball and Orlando and Cristina from STR Pinball who built several of Quetzal Pinball’s previous title, Captain Nemo Dives Again<\/em>, and who assembled the prototype of this new game along with providing much of the troubleshooting.<\/p>\n

Antonio spoke to Pinball News about his new title and how it was developed.<\/p>\n

He told us how, having given up his job as a computer programmer three years ago to concentrate on building pinballs, he was working on developing his follow-up to Captain Nemo<\/em>.\u00a0 However, earlier this year he realised the game wouldn’t be ready before the end of 2018 and how, since pinball design was now his main source of income, he needed another paying project.\u00a0 So, at the end of July he spoke to Orlando and Cristina from STR Pinball about developing a simpler, single-level pinball game which they would assemble.\u00a0 He also got the graphic designer from Captain Nemo<\/em>, Gustavo D\u00edaz a.k.a. Lord Hiryu, on board to create the artwork, despite his love of games with ramps.<\/p>\n

Antonio told us, “I was clear that it would be a four-flipper pinball, with a Japanese theme and electronic music. Our first choice was a sci-fi story with robots and Japanese theme, but after talking with Gustavo I realized that a theme that complex wouldn’t work because we had to explain too many things and we needed a simpler theme. Finally, we choose the drifting car races that are huge in Japan and meet my requirements of a Japanese theme with electronic music.<\/em>”<\/p>\n

Although he usually takes some time to create his playfields, Antonio created the Tokyo Perfect Drift<\/em> design in a weekend at the start of August.\u00a0 He chose this time because many manufacturing companies are closed during August for their summer holidays, meaning he would be able to start ordering parts soon after they returned to work.<\/p>\n

His intention was to design a single-level playfield which wouldn’t need any ramps since it would have a multitude of shots on the main level.\u00a0 He wanted the feel of an upper playfield area, but for it to be on the same level as the rest of the game and open enough to be able to be shot in several ways.<\/p>\n

\"Antonio's<\/a>
Antonio’s playfield design with Gustavo’s artwork ideas<\/figcaption><\/figure>\n

Although he doesn’t usually work this way, Antonio simulated the game on a PC to help speed-up development.<\/p>\n

\"The<\/a>
The PC simulation of TPD<\/figcaption><\/figure>\n

Once the playfield design was produced and the simulation complete, the project was put on hold until September when the summer holidays were over and manufacturing work could commence.<\/p>\n

In the first week of September, Antonio gave the go-ahead for the first playfield and upper polycarbonate plastics to be cut.\u00a0 This marked a very personal moment for Antonio as he explains.\u00a0 “This playfield is very special because the day I picked up it, my grandfather passed away. It’s a sad memory, but at the same time it’s a nice memory, because when I think of this pinball I always remember my grandfather.<\/em>”<\/p>\n

His next step was to design the custom metal parts and build the printed circuit boards to control and drive the game.\u00a0 Antonio said this stage was easy for him given his previous design and manufacturing experience with the whole of Captain Nemo<\/em>, the controller boardset for Zidware’s Magic Girl<\/em> (for which he said he was never paid), and his on-hold other Quetzal title, while the company he uses to manufacture the metal parts is, he said, very good and always delivers the parts on time.<\/p>\n

\"The<\/a>
The Tokyo Perfect Drift whitewood<\/figcaption><\/figure>\n
\"Blank<\/a>
Blank printed circuit boards<\/figcaption><\/figure>\n
\"Testing<\/a>
Testing the RGB LED board with a playfield lamp board<\/figcaption><\/figure>\n
\"Populating<\/a>
Populating the underside of the playfield<\/figcaption><\/figure>\n

In the meantime, Orlando from STR Pinball prepared the cabinet and Gustavo began the playfield artwork design.<\/p>\n

\"The<\/a>
The prototype in the cabinet<\/figcaption><\/figure>\n

Once they had a flip-able game, they discovered how the upper left flipper shot was not as smooth as intended, but with the help of Orlando and Cristina they refined it to make it flow smoothly.\u00a0 The initial design had changed very little, with just a few small adjustments and some changes Gustavo made to several inserts to make the playfield more aesthetic.<\/p>\n

\"The<\/a>
The prototype playfield with the artwork<\/figcaption><\/figure>\n

With the game progressing well, the team talked to Jose Mar\u00eda Litarte from the Arcade Vintage Association in Petrer and Juan Carlos Durans from Biar Pinball Association about organising a launch in early December.<\/p>\n

The hardware was coming together but the game needs lots of software too.\u00a0 Antonio explained the process for developing the code for Tokyo Perfect Drift<\/em>.\u00a0 He told us, “At the beginning of November I started programming.\u00a0 I tried several programming languages and frameworks, and finally I chose Python.\u00a0 But as I added more and more graphics we saw that we needed a full PC.\u00a0 So, two weeks before the announcement, we decided to change the system and port the code to Java (Python is nice for scripts, but I didn’t fall in love with it, and I realized that despite all the Java verbosity I programmed faster in Java, and I had no time to lose).<\/em>”<\/p>\n

The deadline for the launch was looming and time was running out.\u00a0 “The two weeks before the announcement were crazy!\u00a0 Gustavo had to finish the cabinet and the translite, Orlando and Cristina were wiring the prototype and applying cabinet decals, and I had to program the rules – all the rules!\u00a0 The wiring was ready the week of the announcement, and during the testing of the switches and RGB LEDs we found that the switches were not working as expected.\u00a0 I ‘lost’ a day finding the problem and fixing it, but it was already Wednesday so I decided to cut corners and disabled the ball save and the multiball.\u00a0 After a problem with the coils, we finally ran the program in the prototype for first time on Friday at 2:05pm. I went back home to continue programming until midnight, while Orlando and Cristina tested the pinball until past 10pm.<\/em>”<\/p>\n

\"The<\/a>
The completed prototype playfield<\/figcaption><\/figure>\n

For the launch the game had about 50% of the rules, around 30 display animations, and 2 of the songs (composed by\u00a0Cristobal Ortu\u00f1o, Antonio’s brother).\u00a0 Antonio says he will spend the next 3-4 weeks to complete the rules and effects.<\/p>\n

\"The<\/a>
The D-R-I-F-T and Brake targets<\/figcaption><\/figure>\n

The rules are:<\/p>\n

Complete 8 races in the neighbourhoods of Tokyo:<\/strong>
\n– Hit green target (in the middle of the playfield) to start the race
\n– Complete the word D – R – I – F – T
\n– Win the race by shooting the flashing big triangles<\/p>\n

Secondary goal is complete 8 different drifts:<\/strong>
\n1 – Complete F – U – E – L
\n2 – Complete B – U – R – N & OUT
\n3 – Complete T – I – R – E – S
\n4 – Direct shot to ‘Out’ target without activating the bumpers
\n5 – Loop Master – Do 5 upper loops
\n6 – Secret Garage – Shoot behind upper-left flipper
\n7 – Spin Master – 30 spins of the spinner
\n8 – Pedal Master – 3 small white targets (brake – gas – clutch)<\/p>\n

Multiball:<\/strong>
\n– Lite lock with the 2 targets in the middle left of the playfield
\n– Lock 3 balls to start multiball<\/p>\n

Extra Ball:<\/strong>
\n– Complete F – U – E – L in order
\n– Direct shot to ‘out’ target
\n– Secret Garage – The shot behind upper left flipper<\/p>\n

Skill Shot:<\/strong>
\n– Lit letter of B – U – R – N (the game chooses one random letter and it doesn’t move)<\/p>\n

\"The<\/a>
The Tokyo Perfect Drift playfield<\/figcaption><\/figure>\n

The team have enough cabinets and most of the parts to manufacture six complete games.\u00a0 Beyond that, parts will be ordered and games assembled according to demand with no limit on the number of games produced.\u00a0 Antonio says he expects manufacturing to begin in January, with minimal delays building games beyond those initial six since most parts will be made locally in Spain with the exception of standard off-the-shelf components which will be imported as required.\u00a0 Construction rate will be 2-3 games built per month.<\/p>\n

The initial price of Tokyo Perfect Drift<\/em> is \u20ac4,395 ($5,000\/\u00a33,940) plus tax and shipping.\u00a0 These initial orders will be restricted to US customers of Captain Nemo<\/em> games, since they had an extended wait for their games to be delivered.\u00a0 After that, general orders will be accepted at a similar but as-yet undetermined price.<\/p>\n

There are two translite designs and customers can choose which of the two they would like in their game.<\/p>\n

\"The<\/a>
The first ‘solid glossy’ translite design<\/figcaption><\/figure>\n
\"The<\/a>
The second ‘glowing outlines’ design<\/figcaption><\/figure>\n

You can watch some of the TPD<\/em> gameplay from the launch in these three YouTube videos.<\/p>\n